The idea of preserving seeds in wax reminds us of a safe treasure that maintains its vitality and goes through different biological stages. This concept is explored physically and metaphorically by artist AINO in her SEEDS series. Read more

‘Between Salt & Water’ is a textile project of sculptural forms that began on a research trip to Galway, Ireland, and it is developed with fresh seaweed crystallized over time. Read more

The New York-based artist Sui Park explores the dynamism of organic forms and biomorphic shapes, made with mass-produced industrial materials, in particular, monofilament and cable ties. As the Korean artist says, her work ‘represents transitions, and transformations of nature, the forms are to capture subtle but continuous changes in our emotions, sentiments, memories, and expectations.’ Read more

Graduated in Design from ISIA University in Florence, Cosma Frascina is a designer who finds inspiration in the roughness of nature and artisanal techniques. The Italian designer is most interested in sculpting objects using calcarenite and bioclastic limestones and traditional techniques, but with an experimental approach to each piece. In Eroded Panorama Series, Cosma Frascina Read more

Working on ceramics and glass in a multidisciplinary practice, Annelie Grimwade Olofsson explores the borderline between control and self-governed forms. In WASTELAND project, the Swedish designer questions material innovation and investigates the waste of industrial byproducts. This series of sculptures encapsulate toxic byproducts in porcelain, glaze, and glass, underlining the threats and potentials of waste Read more

George William Bell’s work is defined by constant research and innovation of materials and stands on the fine line between art, crafts, and design. Combining glassmaking techniques in non-traditional formats and deconstructed forms, George William Bell’s work highlights a clear balance between the skill of the artisanal will and the autonomous expressions of materiality. Self Read more